Oscar van Alphen (2): The Photo as a Shroud

"The photo shows reality as the shroud shows the dead body
without identification, without name, without history.
What remains is the external intensity of the neutral,
the fascination with the ever-recurring question about concealing or revealing."

Thus reads the first of two stanzas copied into an "Untitled" picture of 1987 by Oscar van Alphen—I promised I'd come back to him. The photo is a black-and-white one, with a large, rolled-up white sheet (the shroud of the poem) in the foreground; the rest is a Dutch, flat landscape. A rather empty picture, accordingly. Which fits the poem alright.

Van Alphen's photo is the only one of over a hundred in the 1991 exhibition catalogue 'The Decisive Image: Dutch photography from the 20^th century' with a text in it. (Must have been difficult in those pre-digital days to get a text into a photo with darkroom techniques rather than printing techniques. Probably a slide of white letters on a completely black background copied into the large photo. But that was not the point of my blog entry.)

His text is indeed a question about the truth in photography: what is "in" a picture? What is its relation to reality? How external is what we see in a picture? These are not easy questions—were not easy in the analogous days, and have become more complicated in the digital days in some (but not in all) respects. It is too late in the day for me to even try to approach the question intellectually. Perhaps Van Alphen was not so crazy when he tried to do it with a photo surrounding his text. Roland Barthes' 'Camera lucida' with his musings on the photo of his deceased mother are not a very readable alternative... Strange that death plays a role in Van Alphen's picture as much as in Barthes' classic text on photography. Or has Van Alphen read Barthes'text? For although we see only the 'external intensity' of the photo, it may lead to the thought of where it came from: what was the photographer trying to tell us? Why was s/he trying to tell us precisely this? That is where Van Alphen's reading on photography may come into play.

Even more to muse upon, when the evening gets still later.

Oscar van Alphen - Dutch photographer

Photo magazine 'Focus' in its December 2008 issue has an article on photographer Oscar van Alphen--a bit of an advertorial, since they are publishing a book about him. I did not find his documentary photos that remarkable, but was triggered by the remark that he was a pioneer because of his 'asking often fundamental questions about the medium that others found to be essential only much later'. How could I--thinking that I too am interested in the question of what does photography do?--be unaware of him?

After all, he is mentioned in the standard anthology 'Fotografen in Nederland' (not at Amazon, but sold by Proxis) and there I may find the clue why I was not triggered to his work: one of his major books is praised for being an 'associative whole' and that is the type of artistry that puts me off: I want a formal Auseinandersetzung with basic questions, even if I have to admit that photography works more directly through the senses than through formal logic and reasoning. At least you should know why it works the way it works, I'd think. Stil this Van Alphen seems an interesting guy to look into. Some of his photos from Amsterdam (oh, how 1968!) are found at the local council archive, and one of his apparently most famous installations is revived in an exhibition right now in the Rotterdam Fotomuesum.

If I find time [big if!], I'll check his basic questions (he wrote some books about photography) and then I'll come back to him in due course.